In the first four lines, the mystery
narrator is telling the reader about how April is the cruelest month because
the earth is trying to grow new plants in dead soil. He says that winter is the
best month, which is kind of ironic because usually it’s associated with death,
but “Winter kept us warm, covering Earth in forgetful snow…” as the narrator
says. The think the speaker is saying it’s better to be numb and forgetful in
your emotions and just survive on the small joys in life- as if they were
“dried tubers” (a kind of potato). At this point in the poem, the speaker
changes to a woman named Marie. She talks about a Hofgarten a couple miles
south of Munich, Germany, and how she used to drink coffee and speak to a
friend for hours there. She states in German that she is a “real German”
suggesting that a real German can come from Lithuania, a controversial topic
for the two places. Finally, she begins reminiscing about the joys of childhood
and the freedom youth can bring. Aon the last line of the poem, she ends it on
a sour note: I read, much of the night, and go south in the winter.” She could
be referring to the constraint aging brings, and how she can’t sleep because of
the aches and pains, and how she may go south in the winter, like some elderly
couples do when they move to Florida.
The very beginning lines of stanza
two are a statement about society made by Eliot: how can we create historical
roots in a time period where we can appreciate nothing during the pursuit of
knowledge? The first half of the stanza is describing a desert, with red rock,
a hot sun, and little to know water, water being a symbol for spirituality. The
speaker at this point, no longer the woman from before, states that he will
show the reader something different than the shadows he is normally associated
with. This is a reference to the lack of good and evil in the poem, meaning
there is no hope either way. The shadow striding behind a person could be a
symbol of good, like a guardian having your back, and the shadow rising in front
of you could represent evil, like a satanic force blocking your path. In the
poem, they talk about a completely different shadow, one that isn’t associated
with good or evil. After a passage in German, a new speaker arises, introducing
herself only as the Hyacinth Girl. The hyacinth flower is a flower commonly
placed on graves, which gives her speech a very creepy tone. She talks about a
man she feel in love with, and about how when he returned from the Hyacinth
garden, her eyes failed and she knew nothing. This is playing off the phrase
“Love is Blind”, and the Heart of Light is a statement to the importance of
love in the Wasteland they are living in.
The speaker in the next stanza is
talking about a clairvoyant woman, Sosostris. The speaker says that she is the
wisest woman on Earth, even though she gets a bad cold every once in awhile,
symbolizing the fragility among even the greatest of people. This could also be
a statement about our society, and how even the most successful societies have
flaws. Sosostris is reading the speaker’s fortune in this scene, and first she
pulls the drowned Phoenician Sailor. The Phoenicians were a people who knew
their way around a boat- so the cards support the whole “Even the greats’ can
fall” theme in this stanza. In the next line, “Those are pearls that were his
eyes. Look!” is an allusion to Shakespeare’s “The Tempest” when she is
describing how, if a person lies at the bottom of the sea for long enough,
their eyes turn to pearls, and since eyes are the windows to the soul, it’s
safe to assume that, like the pearls, the persons soul is hardened and dead as
well. This supports the aforementioned theme, and an earlier theme about
spiritual death; the soul is representing spirituality and society, and the
lack there of represents the fall of both. The next card Sosostris pulls is
“Belladona” or Beautiful Lady in Italian. “Belladona” isn’t a real tarot card,
but the “Lady of Rocks” is, and Sosostris calls the card the lady of situations
because she can be both beautiful and dangerous at the same time. Next, she
pulls the man with three staves, or the three of wands, the wheel, which
symbolizes rapid change, and a blank card that she cannot read. She also says
that she cannot find the Hanged Man. The Hanged Man is a card which symbolizes
self-sacrifice to restore the lands fertility, and in the first stanza, the
lands are infertile and cannot have anything planted in them. Sosostris is
saying that she doesn’t see that changing in the future. The next line, “Fear
death by water” is also interesting because the lack of water was a running
thread in the beginning of stanza two. Does she mean drowning like the drowned
Phoenician tarot card? Or by the lack of spiritual identity displayed by not
having water to begin with?
The “Unreal City” is London, and this is an
allusion to Charles Baudelaire, “Fleurs du Mal”. The city is “unreal” because
of the looming smog hovering over the city and the zombie-like population. He
says he “had never thought death had undone so many”, which is basically
quoting Dante’s Inferno, and he uses this allusion to compare modern life to
living in Hell, the unsatisfied people being used to represent the undead.
While the crowed “flowed up the hill and down King William Street” the speaker
says the bell at Saint Mary Woolnoth, a church, “kept the hours with a dead
sound on the final stroke of nine.” T.S. Elliot keeps mentioning death along
side religion to represent the death of appreciation toward culture in our
modern society. In the next lines, the speaker then sees someone he knows in
the crowd –Stetson- and asks him if the corpse he planted in his garden has
begun to sprout. This is a reference to the infertility of the land, and how
someone would have just as much luck planting a corpse as they would crops. One
strange inconsistency in the poem is when the speaker asks his friend if the
sudden frost has disturbed [the corpse’s] bed. Why would there be a frost in
April? I think this is a mocking question because the speaker clearly thinks
winter is better than spring. At the end, the speaker quotes Charles Baudelaire
again. He says, You!
hypocrite lecteur!—mon semblable—mon frère!" by calling his friend his “brother”, he is
saying that he blames him, himself, and everybody around him for what has happened.
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